Good Morning Pyongyang, 2020, Single-channel video, 2 min 26 sec In Good Morning Pyongyang, the streets and figures of the city are gradually overdrawn in an animated sequence, slowly dissolving into a void. This process of erasure reflects the tension between presence and absence, visibility and invisibility, while critiquing the layers of control and surveillance that shape the city’s image. As the scene fades, the video interrogates how perception constructs our understanding of place, identity, and power. The void left behind becomes a metaphor for erased narratives, silenced voices, and imposed boundaries, offering a quiet meditation on the fragility of representation and the impermanence of constructed images.